‘The Mad Women’s Ball’, patriarchal oppression in late 19th century France takes the form of institutions, sometimes bizarre and sometimes very obvious. Melanie Laurent paints her women’s drama film with a challenging, powerful, and engaging palette that chews on the audience and spits it out at the end. While the film sheds light on a dark chapter in the history of medical science, it brings about a revolution in the fight against female genital mutilation.
The story, borrowed from Victoria Mas’s novel, follows Eugéne, a free-spirited and acclaimed woman who was granted a popular asylum after pouring out her supernatural powers to those close to her. At the center, you will form a friendship with the principal nurse, and together, they must find a way out of the strange dystopia. A flawless time-built drama guided by confusing points and meditative camera work. The ending is sour as the main character flies over a cork nest, leaving his friends behind. Know about The Mad Women’s Ball movie.
The Mad Women’s Ball Movie Overview
The Mad Women’s Ball of the new world – a loving, open-minded, full of powerful pent-up. He has a loving brother in Théophile, who encourages him in all that he does. However, his father’s oppressive regime, like his corset, is often hard on his heart. (The Mad Women’s Ball) When her family friend Hortense is excited about being “introduced” to high school football, Eugéne is degrading.
While reading a book, she encounters Ernest, a charmer in a cafe, who insists that she looks at him. However, Eugéne was actually looking at the book Ernest was reading, and without much thought, Ernest lent the student his book. Eugéne finds comfort in the book – ‘The Book of Spirits’ – as it restores her faith in her psychic powers. We know that Eugéne saw mirrors and spirits, and he was made to feel that they were beyond nature. However, the book assures him of the existence of ghosts.
After discovering the missing necklace 40 years later, Eugéne poured out her grandmother’s ideas. It turned out that the next day, Francois and Theophile took him to the infamous Salpatriere shelter. In her shelter, she made friends with other girls and you can see that the doctors made them very confused in the name that she would treat them.
In this case, you never know the difference between madness and madness – since the late 19th century in France, healers were like bad scientists. In the harsh case of Salpetriere, the first thing one sees is that all the prisoners are women, and all the doctors are men. Originally a firearms factory, the building was converted by Louis XIV into a hospital, mainly for the treatment of people living with a mental disability, psychiatry, and women with epilepsy. In the first examination, the chief nurse Geneviève announced that Eugéne was in good health. We soon realize that Eugéne has supernatural powers outside the realm of scientific psychology.
The women were treated like lab mice by chief physician Charcot and his team of highly skilled medical students. During the protest, Eugéne received cold water treatment, followed by hot water treatment. Doctors also use hypnosis as a remedy, and their methods appear to be unreliable and cruel in the context of the 21st century. After embarrassing treatment, Eugéne’s fellow patient, Camille, develops quadriplegia. The Mad Women’s Ball.
The idea breaks Eugéne’s heart, and as she sees the beauty of the ornaments of the patriarchs as well as of socially acceptable practices, it hurts her even more. She accuses Charcot and the other doctors of insanity rather than cure him, and she is sent to the old hospital cells. After the testimony, Geneviève cooperates with Eugéne, but as her case is referred to a cold-hearted nurse, Jeneviève finds herself helpless.
Jeanne has a threatening spirit all around her, and at first glance, she walks out as a public figure. The second look only confirms the belief. However, Eugéne could also break him, though for a while. You can see that Jeanne’s mother was admitted to the same hospital, but that’s not a secret, according to Jeanne.
When Eugéne tells him that she knows what Jeanne’s mother is doing to her son, she cries. But she soon finds herself in trouble and begins to abuse Eugéne. (The Mad Women’s Ball) She is uncomfortable with her feelings, and her consistent action tells us something about her depression.
At this point, we see that Eugéne has no psychological problem – rather a visionary industry. In the Middle Ages, madness was revered as a source of supreme prophetic power. The situation changed after enlightenment, as insanity was quickly seen as a treatable disorder. However, the titular ball ultimately shines on those in need of healing.
Dr. Jules apologizes to Camilla from the earliest times, and his real intentions appear in football. Contrary to Camilla’s wishes, she takes him to an empty room and tries to force herself on him. Camilla shouts and shouts, but the beast in Jules won’t let her go. She begins to rape him but is denied her violent act as Geneviève enters the room. (The Mad Women’s Ball) Through these heartbreaking events, Geneviève realizes that what the ancestor wants to portray as hysteria is a woman’s will to strengthen herself. Concluding that Eugéne was mentally healthy, he devised an escape plan for her.
Geneviève initially treats Eugéne in the same way as others, but after Eugéne reveals the truth about Geneviève’s sister, the nurse discovers Eugéne’s unique abilities. Following the death of his sister Blandine, Geneviève wrote thousands of letters to the deceased. No one can know that, but Eugéne seems to be heading straight for Geneviève. The Mad Women’s Ball.
The nurse is hesitant at first, but Eugéne contacts Blandine to accurately predict Geneviève’s father’s danger, and Geneviève rushes home to find her father bleeding. Geneviève’s father urges him to talk about the miracle that sent him, but when Geneviève tells him the truth, he simply dismisses it and calls Geneviève crazy. Abandoned by his father, Geneviève realizes that the institution’s disciplinary proceedings were instituted by an ancestor with blind eyes.
Therefore, while her father easily dismisses the seemingly absurd miracle, Geneviève puts her faith in Eugéne. He secretly contacts Theophile and asks her to come to the ball. He helps Eugéne escape while taking on more responsibility. Now, by this act, he is found to be mentally ill, and in a reversal turn, he is spending his time in the shelter. Eugéne writes her last letter, in which she urges Geneviève to keep dancing. Dancing here is also symbolic because although a 19th-century woman must dance to the songs of a patriarch, she also guarantees her artistic freedom through a creative act of performance. The Mad Women’s Ball.
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