Worth ’is an official play focused on a lawyer named Kenneth Feinberg, who is given the daunting task of deciding how much to pay the families of the victims after the national disaster. The film, which begins with the tragedy, follows the timeline of Feinberg’s many years of working with families and is often in the midst of their grief and anger.
The most notable story is the pain and sorrow, which explores the most controversial question of how important life is – something that Feinberg’s character has been given primarily. Was there really a lawyer who had to do that job? And how much of what we see in the film is actually based on real-life? Let’s see if ‘Worth’ is based on a real story or not.
Is Worth Movie a Real Story?
Yes, the ‘Worth’ movie is based on a real story. The Worth film is a life story based on Kenneth Roy Feinberg, who was appointed to oversee the launch of the Victims Compensation Fund on September 11. Feinberg, who held the position of Specialist for the fund, created a strong dollar distribution process. 7.375 billion in US Government funds To the families who lost members in the tragedy. Written by Max Borenstein, ‘Fort’ follows a long and arduous process by the middle man, which involved many bereaved families to accept unpaid exchange payments from airlines and other organizations involved in the tragedy.
As one might expect, the process was unimaginably difficult as many families were unhappy to accept payments that many described as “strict” for the government to protect airline interests. Feinberg had the unparalleled responsibility of measuring what each victim would gain during a lifetime (loss of income), as well as the “amount” of pain and suffering the family went through. To make matters worse, families, if they accept the proposal, will not be able to appeal and will deny their right to sue airlines and other organizations that may be involved.
“It’s cruel, it’s kind of cold, something you have to do. “Anyone who looks at the program and expects that by cutting the US Treasury check will make 9/11 families happy, they don’t really understand what’s going on with the program,” Feinberg said of the program, adding that after almost two years of working on the program, he was ready. to end his duties “as a filter and mediator of so much pain.”
The Washington attorney, for his role as head of the fund, has experienced the anger of many families. His 2005 book, ‘What is Life Worth?: The Unprecedented Effort to Compensate the Victims of 9/11’ revealed the kind of unintentional anger he was experiencing at a time when his national grief and mourning were even greater. On one occasion, the widow of a firefighter who lost her life on 9/11 said to him, “I spit on you, and your children.”
This was in response, as it was widely believed by the families of the victims at the time, that Feinberg was unjust in the amount of compensation he offered. Faced with the choice to accept a guaranteed government payment or to risk a long legal process themselves, which can go on for years and not guarantee victory, grieving families feel victimized. In fact, the significance of the lawsuit in contrast with the acceptance of payment was reported to have remained unclear for years after the tragedy. Worth.
One of the critics of Feinberg’s voice was Charles Wolf, portrayed in the film by Stanley Tucci. After losing his wife Katherine in the tragedy, Wolf became so frustrated with the fund’s performance that he even opened a website called Fixthefund and was quoted as saying, “I believe in his integrity, and I want the program to be successful for all families, it will start fixing things. ”In the film, his character encourages Michael Keaton’s Feinberg to take a closer look at the” proper process “that leads to improper spending.
In fact, in his last report, Feinberg suggested that if such a plan were to be repeated, that the amount of compensation should be kept equal to all victims, regardless of how much they could earn in the future, the amount of insurance, and other factors. Finally, more than 97% of families are reported to have been reimbursed an estimated $ 7 billion.
‘Worth,’ therefore, he tries to capture and present part of this expandable issue that continues to this day. While all of its features are almost invisible or directed at the film, the purpose, according to the filmmaker, was to focus on after 9/11 and how the government chose to compensate the victims of the tragedy instead of giving up their right to sue. In the midst of all of this, Feinberg’s character is the one who binds everything with his sense of community service and the great pain, grief, and anger he experienced in his role as the Special Master of this fund. Worth.