‘The French Dispatch’ follows journalists working for the French channel of the American newspaper. Made in the form of a humorous style signature, the movie features eclectic characters and a collection of interesting stories that are hard to put off but sound like vague history.
The posting of the World War 2 post, as well as references to events such as student protests, is very much in line with the exaggerated personality the film is focused on. So is the ‘The French Dispatch’ based on a real story? Or is it a fictional creation of a unique color?
Is The French Dispatch a Real Story?
No, ‘The French Dispatch’ is not based on a real story. It is the work of renowned filmmaker Wes Anderson who directed and wrote the film, giving his signature a humorous style of humor. Describing it as “a love letter to journalists,” the director found inspiration in his years of being an avid follower of the New Yorker magazine. The French city of Ennui-Sur-Blasé, where the film is set, is a myth, as well as an unknown publication. In fact, the name of the French-made city translates directly to “Boredom-on-Blasé.”
The New Yorker started in 1925 as a church book, and Anderson has reportedly been a fan since he was a child. He has compiled a large collection of magazine articles dating back to the ninety-nine years and then starred in his film on certain events with characters with real-life partners associated with the New Yorker. This gives his fictional set a real touch, which makes the stories very interesting.
The French Dispatch film contains a collection of stories printed in an eponymous fiction novel, some of which are life. In this regard, those dealing with student protests are inspired by the two-part article ‘Events in May: Mavis Gallant’s Paris Book of Paris,’ which appeared in The New Yorker in 1968. The story of art salesman Julien Cadazio similarly draws inspiration from a six-part profile in Lord Duveen by SN Behrman in 1951.
To make matters worse is the film-promoting magazine, actor Arthur Howitzer Jr. (Bill Murray) seems to be based on Harold Ross, who founded The New Yorker with his first wife Jane Grant and remained its Editor. – Acne until his death. It is interesting to note that Ross, who joined the U.S. military during World War I, met Jane while writing for the military newspaper Stars and Stripes in Paris. By looking at the couple and continuing to discover the New Yorker, Anderson’s film also seems to be a hat-trick in the French magazine’s roots. In addition, Owen Wilson’s Herbsaint Sazerac is apparently backed by The New Yorker author Joseph Mitchell.
Finally, the film is a fictional story that needs inspiration from one of the world’s most popular magazines and some of the following people. Considering the rich history of the New Yorker, it is easy to imagine how a good film could find real stories that fit its fictional story. “The French Dispatch.”
Anderson described his film as a portrait of a man, a journalist, struggling to write what he wanted to write. Although it is a work of myth, the director explains that a film about journalists will always speak (to some extent) of the real world, which is exactly what ‘The French Dispatch’ does while keeping its signature spirit in signature.
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