“Allswell (2022).” There is something about character-driven dramas that touch the heart of the human experience, transforming a simple, yet effective movie into a thrilling audience. Directed by Ben Snyder from the screenplay of Elizabeth Rodriguez (who is also an artist), Allswell captures the beauty of the heart, as well as a well-executed drama. The film brings drama, but it has never been skipped and the cast plays an important role, adding greatness to the lives of the actors.
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Allswell (2022): Movie Review
Now based in New York, Allswell follows the lives of their sister Daisy (Rodriguez), Ida (Liza Colón-Zayas), and their sister Serene (Daphne Rubin-Vega). Daisy left a traumatic relationship long before the film’s debut and is expecting a baby with a newborn baby, Nina (Mackenzie Lansing), whom Daisy invited to her home in the last few months of her pregnancy.
Ida is in a stable relationship with her partner, Ray (Michael Rispoli), but is facing a difficult time after the dismissal of her co-worker and friend Clint (J. Cameron Barnett). At that moment, Serene tries to close the gap with Constance (Shirley Rodriguez), her rebellious, distant, and angry daughter. They are dependent on each other in different ways, but they face another challenge when their brother Desmond (Felix Solis), who is also Serene’s husband, returns to their lives.
Allswell understands that not all stories have perfect conclusions, or they are properly closed. To that end, the film allows actors to dwell on their decisions, their mistakes, their regrets, their sadness, and their happiness. It does not care about tying the loose ends as it is a brief reflection of the lives of these women and their love power, it is very complex and often chaotic. To be sure, basic relationships lead to a lot of play, including unresolved issues and resentments, but it does not sound overpowering.
What’s worse is that the characters, though portrayed by the actors with compassion and greatness, are able to hear a single note at times. This is mainly because each of them is given one or two traits to define who they are and who they are. Colón-Zayas is an older, more responsible, caring sister; Rodriguez is the one who makes quick decisions without being careful or thinking about the possible consequences, and Rubin-Vega plays a cruel mother who goes out of her way despite being considered a wild child in her youth.
Despite these criticisms, however, good performance and strong text elevate these characters to feel like real people who go through a lot of dirty, difficult situations. Emotional and cast chemistry greatly helps to establish their own history. Snyder and Rodriguez are not worried about putting on any big twists or turns to shock the audience. Instead, their screenplay gently and thoughtfully brings these characters to light without having their stories distorted or imagined. Allswell is a piece of life that looks at the great and small moments of these characters, exploring their headspace and their interactions with others, and how the latest affects each individual.
Rodriguez, Colón-Zayas, and Rubin-Vega perform live, small-scale concerts, making each of their characters feel like they’ve lived a lifetime before the audience meets them. Their combined chemistry works in a similar way and they instill in their on-screen characters a lot of heart, anger, frustration, and a host of other emotions that make the film worth watching.
The film has moments of humor and gravity equally, and it really rises when it focuses on the little things in each character’s life, acts like a pinafore needle, and patchwork is a big part while still standing well enough. his own. While Allswell can certainly expand on the dynamics of the characters a bit (some have a deeper depth than others), the film is attractive and well handled as a whole. Between exposure, provocative relationships, and drama, Allswell has much to offer her viewers.
